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Starting off I have to say that this certainly was the best re:publica ever since I attended it for the first time in 2010. So well done! Many thanks and lots of respect to everybody who made this possible.
Following a rather light and entertaining panel discussion entitled “Tweeting from Space for the Digital public” I held in 2012, I had the chance to curate a couple of sessions on Space Science within the Open Science Track together with programme coordinators Geraldine and Sandra. Although in the end just four (or respectively three) of nine planned sessions took place, these have been terrific. Let’s begin with one of my highlights of the Open Science Track:
I have been following Carolina’s Blog and her work for quite a while now with growing interest, so I was really lucky. Not just because we coud invite her, but also because she and her family including her baby undertook the long travel from Cape Town to Berlin. Carolina’s talk on crowdsourced stronomy, citizen science and hacking projects was equally inspiring and raising awareness. Many thanks to Geraldine de Bastion who made this possible.
Furthermore, I recommend watching the following three media reports:
Side note: as a musician and netlabelist I of course liked Chromotone, kind of an astronomy sound hack:
Let’s continue with Part Time Scientists: Karsten Becker, Robert Böhme and their international team of about 100 people are among the favourites to win the Google Lunar XPrize. The goal is to safely land a rover on the surface of the Moon, travel 500 metres and send high resolution images and data back to Earth – as well as the first SMS an email from the moon. Google offers up to 30 Million US dollars as reward. Although launching rover Asimov on board a russian Dnepr rocket will cost just as much, Part Time Scientists (PTS) don’t even think about shying away. I think that gives an impression about the fact PTS have to manage not just enormous technical but also administrative challenges. But if Robert, Karsten and team will tackle these challenges with the same enthusiasm as they delivered their talk I have absolutely no doubt they will make it.
Part Time Scientists are supported by DLR, or more precisely by the DLR Institute of Robotics and mechatronics, which contributes the rover’s propulsion technology as well as the autonomous navigation based on environmental perception technology.
Furthermore, there was my own contribution named “Space Science as a Creative Commons?” which took place in the workshop area (no video recording). I wrote a separate blog post on the session which you may read here.
Unfortunately, Hojun Song’s talk on the Open Source Satellite Initiative had to be cancelled, obviously he couldn’t make it in time. But re:publica surprised us with …
John Weitzmann organised a panel discussion on the german late night cult series Space Night, named “Space Night Mission Control … GEMA, we have a problem”. Here, two teams (Contra: Ellen Vorac, expert on label mangement and digital distribution and Volker Tripp, lawyer, netlabelist and freelance journalist; Pro: Luci van Org, musician and author, and me in my role as musician licensing under Creative Commons and as netlabelist) debated for and against how public service broadcasters should use free (or “freed”) content such as music licensed under creative commons and the role collecting societies like GEMA or C3S might play.
All in all, re:publica 2013 was a true content overkill: Even more digital and analog culture, science, technology, politics … some more of my personal hightlights (in no particular order) were
… a talk about the making of the animated short movie R’ha:
… Cory Doctorow’s talk on Digital Rights Management (DRM), computers in our bodies and elsewhere:
… Peter Kirn and his historic and current view on Human-Music-Machine interfaces
… as well as just about 50 missed session which probably have been equally interesting.
Here’s a quick and dirty video I produced to demonstrate how public domain video footage, provided by NASA’s ISS Crew Earth Observations Experiment, works together with Creative Commons music. My point of course is: It works as good as with music licensed by traditional copyright collecting societies such as e.g. ASCAP, PRS or GEMA.