… or buy directly for 10€ + shipping 2.35€ (Germany), 4.50€ (Europe) or 5:00 (worldwide).
“The music is both atmospheric and aggressive, although the bleeping strikes me as more ambient than kosmische. Either way, a cool tape.” Byron Coley in The Wire 475, September 2023
The Wire 475
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“If a tape loops infinitely, where does it start and end?
A new split cassette from anonymous electronic artist and bassist bleed Air and Shenzhen legends Hualun ruminates quietly on that enquiry. The beginnings and conclusions are not clear. There is an A-side and a B-side, one by bleed Air and one by Hualun, but the labels glued to each side of the cassette shell might as well be interchangeable. (…)
These two sides are, then, inextricably and umbilically linked. They both occupy a contemporary vantage point overlooking some of 1970s German electronic music’s finest moments, completely in tune with the sonic adventuring that the likes of Conrad Schnitzler and a select pioneering few bravely undertook.” (…) Mat Smith, Further. <- read the full review)
Chorchill revisits his 2020 album Nachtfisch (for Cologne fellow label Strategic Tape Reserve) and gives two tracks the post-minimalism treatment.
RUHRPOTT DIVER is a remix and sequel of and to FLOODED RUHRPOTT, while MODERN TAVLA (remix of BLEEDING INTO FALL) sheds some light on the backgammon playing habits of mythical Ruhrpott figure Apel Okuyan on who the NACHTFISCH album is centered around.
Chorchill is an electronic music project by Matthias Cingoez on MIDI, synthesizer, sounds, acoustic bass and aerophone. Minimalistic and melodic pieces influenced by the softer side of Krautrock and film music.
To quote the artist “Dip your toes into the sparkling pixel pond and listen to more synthetic octopus noise …” and add, from my side, “by the visiting the release page embedded below or TTNM’s lovely Youtube channel.”
Aros E-V is the ambient music project of sound artist Ryan Evans. Using tape loops, field recordings, and digital processing, he creates slow sound pieces that underline the passing of time.
‘In Time’ and ‘In Space’ are edges and breaks. Assembled with guitar, four-track, and digital processing, They trace the negative space between miniscule sonic vignettes.
bleed Air’s debut full-length is a mix tape blending dark ambient, playful electronica as well as experimental beat and drone.
A journey into warm, analogue noise, echo and soundscapes, sometimes resembling a soundtrack for a yet to be filmed low budget sci-fi movie. When Robot choirs start singing or broken analogue circuits and filters start doing what they want, it can get wacky, but we think it always remains pleasant to listen. Mostly analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects were used.
It is recommended to listen to each side of the album in one piece.
bleed Air lives in Cologne, runs this label, loves his Omnichord OM-27 and his tape echo too.
