Ball Geographie

Ball Geographie is certainly funny, weird, different; pick a word. Sometimes they (well ‘he’ is more likely) sound like a genuine ’80s disco band, but then the music leaps into more 8-bit breakbeats, to be followed by a full-on tearjerker ‘Snyrk’, with lots of sampled guitars and high-pitched voice (one of the few with ‘vocals’). Then next on full-on retro ’80s minimal synth sound. It is a bit all over the place, these thirty-five minutes, but the perfect antidote for an afternoon of all serious music.
Frans de Waard in Vital Weekly 1252

Live at Budokan (SPT01, album, tape and digital, released 4 September 2020)

bleed Air

“There is not a lot known of Bleed Air (or rather bleed Air, as the preferred spelling is), who use a lot of “analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects.” Bleed Air also bounce all over the place with their (again I am not sure) sound, going from introspective and ambient, towards a more robotic, upbeat sound, of wacked out techno beats and then going towards minimal synth. The music here is not as quirky as Ball Geographie and it seems (I use that word with some caution) all a bit more serious. That is, perhaps, based on the more moody electronic pieces that are also on this cassette, in which bleed Air wants us to contemplate (maybe). (…) This too is a lovely break from all too seriousness.”

“… two excellent pieces of found sound from left and right, stored on a four-track loop, which he plays around, slowly altering the speed of the machine. If I enjoyed the first piece by Whettham Chelmets for its lo-fi ambient quality, I liked these even better. It has that lo-fi quality, intense, dark, spacious and also a bit gritty. Bleed Air should do a long album with this kind of stuff! I sign up for one. “

Frans de Waard in Vital Weekly 1252 and 1267

bleed Air (SPT02, tape and digital, released 4 September 2020)
Release: SPT Cassingle No. 9 (SPT11). Release date: 3 January 2021

Harald Sack Ziegler

The number of his entries on discogs is 49 – in reality there are innumerable and probably half of them are cassettes or other obscure formats such as a CD-sized 5″ vinyl single called “See Dee”. To keep it short: Harald Sack Ziegler – or simply “Sack” – is a lo-fi experimental trash pop/punk legend. He is by no means just a solo artist, as he has already worked with musicians like E*Rock (Sack & E*Rock), FS Blumm (Sack & Blumm), Mouse on Mars and many more. Harald studied orchestral music and is a master of French horn, guitar, drums and toy instruments – but rarely uses them as inventors actually intended.


Die Anzahl seiner Einträge auf Discogs beträgt 49 – in Wirklichkeit sind es unzählige und schätzungsweise zur Hälfte Kassetten oder andere obskure Tonträger wie beispielsweise eine Vinyl-Single in CD-Größe (5”) namens “See Dee”.  Um es kurz zu halten: Harald Sack Ziegler – oder auch schlicht “Sack” – ist eine Lo-fi-Experimental-Trash-Pop/Punk-Legende. Keineswegs ist er nur als Solo-Künstler unterwegs, hat er doch bereits mit Musikern wie bspw. E*Rock (Sack & E*Rock), FS Blumm (Sack & Blumm), Mouse on Mars und vielen weiteren zusammengearbeitet. Harald studierte Orchestermusik und beherrscht Waldhorn, Gitarre, Schlagzeug sowie Spielzeuginstrumente meisterlich – nutzt sie aber seltenst so wie es Erfinder*innen eigentlich vorsahen.

SPT Cassingle No. 3 (SPT05). Release date: 6 November 2020

Master Musicians of Dyffryn Moore, The

The Master Musicians of Dyffryn Moor is one of a number of aliases of Simon Proffitt, a north Wales-based multi-disciplinary artist making niche-appeal and often concept-driven music and non-music for over 15 years. It exists in a fictional, parallel Wales, where everyday life is filled with ritual and folklore. He also records drones/tones as Cahn Ingold Prelog, electronica as Carnedd Aur, processed field recordings as part of The Incidental Crack and non-idiomatic improvisations under his own name.

SPT Cassingle No. 2 (SPT04). Release date: 6 November 2020

Tiger Village

The original thought behind the music of Tiger Village was to make music that is missing a core component of composition, as if an artificial or alien intelligence tried to mimic human music but the results were skewed. Much of this is achieved by blurring the concepts of tempo, rhythm and time signature. Over the years of the project the processes Tiger Village uses have changed, but the concept of blurring the lines of composition always remains.

Tiger Village is Tim Thornton. He lives in Cleveland, Ohio, USA and runs the Suite 309 label:

Release: SPT Cassingle No. 1 (SPT03). Release date: 6 November 2020

moduS ponY

“(…) Modus Pony’s music genre-spanning, intricate guitar/bass/synth arrangements immediately stood out” — bleed Air

He resides in Los Angeles, California, USA

Release: SPT Cassingle No. 6 (SPT08). Release date: 4 December 2020


qualchan. is a native american multi-disciplinary artist residing deep in the heart of cascadia. they describe their work as a reimagining of americana filtered through the tropes of new age, focusing primarily on living through the anthropocene. they call this wave now age, & are the only member of this school. they have released through Strategic Tape Reserve, Hotham Sound, No Problema Tapes and many others.

Release: SPT Cassingle No. 4 (SPT06). Release date: 4 December 2020

German Army

German Army is a two piece (DT and GT) from the San Gabriel Valley, California, USA. Raised on Sydney Possuelo and Paulo Freire, their catalog seeks to critique US imperialism and nationalism.

Release: SPT Cassingle No. 5 (SPT07). Release date: 4 December 2020

Whettman Chelmets

Whettman Chelmets is an experimental artist from the United States who loves to compose experimental musics with his sheet music, his guitar, and mainly his computer. He makes all his music in his living room while waiting for the pandemic to end so he can run to Target to get a pound of Beyond Beef because Saturdays are Taco Salad nights.

Release: SPT Cassingle No. 7 (SPT09). Release date: 3 January 2021

Nicholas Langley

Nicholas Langley lives in Brighton, England and runs the label Third Kind Records. As a solo artist he has self-released music since the early 1990’s, such as the albums ‘Thinky Space’ and ‘Final Wave’ in recent years. The majority of his output is collaborative, releasing albums with Hassni Malik, Linden Pomeroy, Dark Half and as one half of Pharagonesia, Kyle & Wilbur, Erm & Nickname, Cosmonauttransfer and Bodies Of Light, as well as playing in the collective The Vitamin B12. He is currently working with guest musicians on a new album for 2021, as well as working on mastering jobs and guest productions. 

Check out his brilliant album ‘Final Wave’ (vinyl and digital):

Release: SPT Cassingle No. 8 (SPT10). Release date: 3 January 2021

Robin Barnick

Release: Sinusoidal Frequency Modulations, EP. Release date: Feb. 2021

I Was Listening To Tapes In Tokyo (Francesco Ameglio and Matteo Giai)