Author: bleed Air
Date: 26. August 2022
five Bubble criteria (fBc) is a bleed Air side project. A mix of experimental rock, spoken word, sparse electronics, tape effects. Lo-Fi.
“Five Bubble criteria deal in a kind of dissolving fantasy Americana built on twanging guitar lines that melt into broken AM radio white noise chatter. On “Reservoir”, the addition of a spoken narrative by Chip Perkins moves the sound away from abstract, doomy ambience towards denatured horror commentary, like a video game that has swapped the living dead for the citizens of Twin Peaks. As the record closes, its style changes again, “Vays-Rays” concocting a wobbly jangle that sounds a bit like if Nouvelle Vague had covered the Smashing Pumpkins. If it’s completely odd, it’s also completely brilliant.”
(Spenser Tomson in The Wire, November 2022)
“The bleed Air side project takes on a Labradfordian-mindset of tape splicing and spoken word cacophonies; transient noise bursts & out of body hilarity ensues.”
(Tabs Out cassette podcast, Jan 2023)
Author: bleed Air
Date: 26. September 2021
Friday 1 October sees the release of a new Cassette Single by QST, Frans de Waard’s – as he says – ‘failed attempt’ on producing ambient house music. I must say I’m glad he failed since what he produces as QST (with beats) and Quest (w/o beats) is way better than what the genre name suggests. In simple terms it’s pretty captivating minimal synth stuff.
The QST cassingle will be accompanied by a new bleed Air album, titled ‘time, ferocious’ – the first following the eponymous 2020 debut album. It is an attempt at sonic exploration of concepts of time.
bleed Air concludes the work started with Cassingle ‘Ogehiko/Yahiko’, albeit in a somewhat noisier and more abstract way. Again, all instruments and other (found) sounds were recorded to and with mostly half broken reel to reel and cassette tape machines, fully exploiting their fantastic manipulation capabilities.
Both cassettes will be available from Friday, 09:00 CEST and also offered as a bundle, so that you can save on postage.
P.S.: The ‘time, ferocious’ digital download will be ‘name your price’ for the first couple of weeks.
Author: bleed Air
Date: 12. September 2021
CARLOS PEREA MILLA has been creating improvised ambient experiments under the moniker MELQUÍADES since 2016, using tapes, electronics, guitars, harps, field recordings and other sounds. His first two solo albums, ‘Keep A Seed’ and ‘Imaginary Soundscapes / A Map’ were released on CANIGOU RECORDS, the cassette label he has been running from London, Buenos Aires and Málaga. He also co-runs the concert series Bedroom Gigs with Catrin Vincent.
tactile / distante’ was recorded in October and November 2020 in Málaga, right after the change of seasons and right at the start of a new life chapter. This new work is heavily inspired by instrumental and folk music, and artists like Lake Mary, Karen Dalton, John Fahey, Nathan Salsburg, Wall Matthews and Mat Eric Hart.
It’s less abstract and more tangible, but it stays experimental: each part was recorded separately into a tape recorder whilst listening to a metronome, then sent to another tape machine, then into Ableton where the two songs were pieced together, editing the speed and pitch variations caused by the tape. And it has drums for the first time – a lot of drums. ‘tactile /’ features a recording from a conversation I had with Calum Perrin about modes of listening.
Recorded using classical/electric/12 string guitar, tapes, OM-1, pocket piano, zither harp and drums.
Photography by Carlos Perea-Milla in Andalucía.
Mastering by Adam Badí Donoval.