Date: 26. August 2022
Beyond happy to welcome Petridisch to the superpolar Taïps artist roster. Besides his musical output, Thor is known for running the fish prints label and his involvement in Ilya S’s I Heart Noise ihrtn.net (until 2020). Both are an intrinsic part of the Boston underground. I sincerely hope that you will be as captivated by Petridisch’s (anti-)etudes as much as I am. Contemporary classical? Minimal music? Maybe, but certainly the Petridisch way:
Etudes Vol. 1 (C-20), a red transparent C-20 EP featuring six tracks, is yours for 6.50 €. Please also do read Petridisch’s extensive and very interesting liner notes.
Today’s other (pre-)release of the day is five Bubble criteria’s VI. It is, or better: has become a side project of bleed Air, i.e. me, the label guy. VI could actually have been a bleed Air album, but it somehow drifted away from the usually more experimental (vintage) electronic approach during the recording process … and features some rather longform tracks built with experimental guitar and bass (mainly the Fender Jaguar Baritone VI – hence the title), sparse analogue electronics, tape effects and spoken word in various forms, thanks to the always amazing Chip Perkins and a first appearance in this regard by my pal (and better half, probably) Robin Barnick. Even Modelbau’s there, kindly letting me use one of his recordings for ‘Aether Aleatorica‘, in terms of sales and listens our most successful albums so far.
VI, a beautiful fosfo orange, transparent C-31 album is yours for 7.50 € + postage.
Enough said – I hope you will enjoy this, and to do so without committing to anything, both digital releases will be ‘name your price’ for the first two weeks after full release on 2 Sept.
Both cassettes will also be available as a reduced price bundle – later today!
Date: 26. September 2021
Friday 1 October sees the release of a new Cassette Single by QST, Frans de Waard’s – as he says – ‘failed attempt’ on producing ambient house music. I must say I’m glad he failed since what he produces as QST (with beats) and Quest (w/o beats) is way better than what the genre name suggests. In simple terms it’s pretty captivating minimal synth stuff.
The QST cassingle will be accompanied by a new bleed Air album, titled ‘time, ferocious’ – the first following the eponymous 2020 debut album. It is an attempt at sonic exploration of concepts of time.
bleed Air concludes the work started with Cassingle ‘Ogehiko/Yahiko’, albeit in a somewhat noisier and more abstract way. Again, all instruments and other (found) sounds were recorded to and with mostly half broken reel to reel and cassette tape machines, fully exploiting their fantastic manipulation capabilities.
Both cassettes will be available from Friday, 09:00 CEST and also offered as a bundle, so that you can save on postage.
P.S.: The ‘time, ferocious’ digital download will be ‘name your price’ for the first couple of weeks.
Date: 12. September 2021
CARLOS PEREA MILLA has been creating improvised ambient experiments under the moniker MELQUÍADES since 2016, using tapes, electronics, guitars, harps, field recordings and other sounds. His first two solo albums, ‘Keep A Seed’ and ‘Imaginary Soundscapes / A Map’ were released on CANIGOU RECORDS, the cassette label he has been running from London, Buenos Aires and Málaga. He also co-runs the concert series Bedroom Gigs with Catrin Vincent.
tactile / distante’ was recorded in October and November 2020 in Málaga, right after the change of seasons and right at the start of a new life chapter. This new work is heavily inspired by instrumental and folk music, and artists like Lake Mary, Karen Dalton, John Fahey, Nathan Salsburg, Wall Matthews and Mat Eric Hart.
It’s less abstract and more tangible, but it stays experimental: each part was recorded separately into a tape recorder whilst listening to a metronome, then sent to another tape machine, then into Ableton where the two songs were pieced together, editing the speed and pitch variations caused by the tape. And it has drums for the first time – a lot of drums. ‘tactile /’ features a recording from a conversation I had with Calum Perrin about modes of listening.
Recorded using classical/electric/12 string guitar, tapes, OM-1, pocket piano, zither harp and drums.
Photography by Carlos Perea-Milla in Andalucía.
Mastering by Adam Badí Donoval.