Multidisciplinary artist Andreas Gogol first caught our attention with his stunning vocal performances on Guido Möbius‘s album ‘Gebirge’ (Karaoke Kalk, 2009), even if he had been present in the experimental music scene way longer, for example with his album ‘Gorymaaz’, released on A-Musik in 2005.
On this cassette single, Gogol appears under the YOCKO O.NE feat. prinz-ip moniker, offering two quite diverse tracks:
On O.H.E. [action], Gogol takes his funky, dadaesque vocals one step further by bending time and space and chopping things up while it seems as if at the same time a weird entertainer (Onkel Bepy?) looses control over his organ and its rhythm machine. A feast for the ears.
R.I.FF. [minox], on the other hand, points more to the other facet of agogol: That of the experimental filmmaker, who here perhaps contributes part of a soundtrack to a neo-noir style film he has not yet released. Supposedly you never heard an accordion that dark.
superpolar Taïps is very happy to welcome Hualun to the cassingle series. While they modestly call themselves ‘a rock band from China since 2004’, their oeuvre offers so much more.
Multiple influences from Krautrock, Minimal and Experimental form the mesmerising soundscapes you can listen to on this cassette single, but also on their other releases.
Hualun was a vital part of the early years of the “Wuhan punk” scene and the explosive Chinese “post rock” wave.
Since then, Hualun have been exploring new ways of developing their music, focusing on creating mesmerising and immersive soundscapes, and diversifying their music, as it can be experienced in the soundtrack for the independent film ‘An Elephant Sitting Still‘ nd the impromptu project “wʌndərlænd” in 2018 and 2019.
Last year, Hualun created an original score to the Yung Chang documentary Wuhan Wuhan and launched a new episode of their “Scene” series.
Known as a group of musicians who rely on their intuition, they are at the forefront of experimenting with sound and exploring the source of natural growth with their music.
I first came across modus pony’s music on a split tape released by Cologne’s Strategic Tape Reserve. His genre-spanning, intricate guitar/bass/synth arrangements immediately stood out (of course next to the artist behind VLK, whom we’ll welcome soon as part of this cassingle series too). Because of its complexity, “Systemmetry/2Systemmetry” could be perceived as a concept album condensed to two times 2.5 minutes. However, this time, the multi-instrumentalist reveals even more of his experimental side – bubbling analogue synths compete with free jazz guitar scales and it’s not clear who’s gonna win this gentle battle. Btw: Does your tape have auto-reverse? This is the opportunity to use it. moduS ponY resides in California, USA. – bleed Air
qualchan. is a native american multi-disciplinary artist residing deep in the heart of cascadia. they describe their work as a reimagining of americana filtered through the tropes of new age, focusing primarily on living through the anthropocene. they call this wave now age, & are the only member of this school. they have released through Strategic Tape Reserve, Hotham Sound, No Problema Tapes and many others.
The number of his entries on discogs is 49 – in reality there are innumerable and probably half of them are cassettes or other obscure formats such as a (CD-sized 5″) vinyl single called “See Dee”. To keep it short: Harald Sack Ziegler – or simply “Sack” – is a lo-fi experimental trash pop/punk legend. He is by no means just a solo artist, as he has already worked with musicians like E*Rock (Sack & E*Rock), FS Blumm (Sack & Blumm), Mouse on Mars and many more. Harald studied orchestral music and is a master of French horn, guitar, drums and toy instruments – but rarely uses them as inventors usually intended.
With Ahornschraube (“maple screw”) and Blechriff (“brass riff”), Harald provides two tracks which have his main instrument – the French horn – at the centre, albeit heavily processed and sometimes literally chopped up. And, as always, to listen with pleasure.
The Master Musicians of Dyffryn Moor are a ragtag band of percussionists from a parallel Wales where rituals and folklore dominate contemporary life.
The “Blessing of the Hand-Sanitizer” ritual gives thanks for the anti-viral and anti-bacterial properties of this in-demand substance, and aims to ensure its plentiful supply. The ceremony documented here took place in Llangollen, and was led by local elder Carnedd Aur.
The “Blessing of the Spam Filters” ritual gives thanks for protection against unwanted pharmaceutical offers and banking scams. Timing of the ritual is crucial, and 2:30 is generally believed to be the optimal length. Less than this, and the filters are feared to become ineffective. Longer rituals, on the other hand, are thought to lead to an increasing number of false positives.
The original thought behind the music of Tiger Village was to make music that is missing a core component of composition, as if an artificial or alien intelligence tried to mimic human music but the results were skewed. Much of this is achieved by blurring the concepts of tempo, rhythm and time signature. Over the years of the project the processes Tiger Village uses have changed, but the concept of blurring the lines of composition always remains.
Tiger Village is Tim Thornton. He lives in Cleveland, Ohio, USA and runs the Suite 309 label (suite309.bandcamp.com).
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