Phirnis – Culinary Delights [Cassingle #15]

Categories: Releases

Oops. A maxi cassingle. Phirnis aka Kai Ginkel’s super dark, noisy and haunty tracks are awesome, but impossible to squeeze into two minutes and thirty seconds. So for once I break the otherwise strict rule. Further info on the BC release page …

Sinusoidal Frequency Modulations by Robin Barnick

Categories: Releases

A minimal synth EP, garnished with harsh noise, composed entirely on a Yamaha DX7. Despite the minimal setup, it creates an intense, sometimes uplifting, sometimes eerie atmosphere.. We believe that you’ve rarely heard the DX7 like that before. 

Artist Robin Barnick sold his DX7 a long time ago – it was a rocking DX7IIFD in excellent shape… and yes, he regrets it, a lot. There was just too little space in his apartment and he thought the NI FM7 would do too. Far from it. Here’s what he has to say about the album: 

“At the time, I guess it was around 2001, I was trying to program the DX7 and accidentally deleted all of the presets when I started to experiment with emagic’s SoundDiver. Every single patch was reset to the “Init” sound, a simple sine wave. 

OK, never mind, I thought, and then got hooked when I started manipulating this ultra simple patch live, with the help of Sounddiver’s quite impressive capabilities. 

I was fascinated by how easy it now was to elicit experimental sounds from this otherwise difficult-to-operate machine. I didn’t care about sequencing, so this is just me, playing simple chord progressions and notes with the left hand and manipulating them with my right hand on the mouse, twiddling SoundDiver’s faders. All was recorded live on Minidisc (in mono). 

At the time I really wasn’t sure whether the music was good at all, so I put the MD aside … and forgot it. When I remembered it again some time ago, I spent endless hours searching – all my MDs were there, just not this one. When I was about to give up, I rediscovered it, edited the material and subsequently processed the tracks with some few effects.” 

Robin Barnick resides in Niederkassel-Lülsdorf-Ranzel, in the lovely rural-industrial no one’s land between Cologne and Bonn, in the wild, wild western part of Germany and at the heart of Europe.

Cassingle #6: moduS ponY [SPT08]

Categories: Releases

I first came across modus pony’s music on a split tape released by Cologne’s Strategic Tape Reserve. His genre-spanning, intricate guitar/bass/synth arrangements immediately stood out (of course next to the artist behind VLK, whom we’ll welcome soon as part of this cassingle series too). Because of its complexity, “Systemmetry/2Systemmetry” could be perceived as a concept album condensed to two times 2.5 minutes. However, this time, the multi-instrumentalist reveals even more of his experimental side – bubbling analogue synths compete with free jazz guitar scales and it’s not clear who’s gonna win this gentle battle. Btw: Does your tape have auto-reverse? This is the opportunity to use it. moduS ponY resides in California, USA. – bleed Air

Cassingle #3 – Harald Sack Ziegler [SPT05]

Categories: Releases

25 Artists. 25 C-5 (that’s 2:30 per side) cassettes with two tracks (exclusive B-side). Strictly limited to 10 hand-dubbed copies each. Custom design. 

superpolar Taïps proudly presents the third release of its Cassette Single series.  superpolar.org/2020/10/20/the-spt-cassingle-series/

The number of his entries on discogs is 49 – in reality there are innumerable and probably half of them are cassettes or other obscure formats such as a (CD-sized 5″) vinyl single called “See Dee”. To keep it short: Harald Sack Ziegler – or simply “Sack” – is a lo-fi experimental trash pop/punk legend. He is by no means just a solo artist, as he has already worked with musicians like E*Rock (Sack & E*Rock), FS Blumm (Sack & Blumm), Mouse on Mars and many more. Harald studied orchestral music and is a master of French horn, guitar, drums and toy instruments – but rarely uses them as inventors usually intended. 

With Ahornschraube (“maple screw”) and Blechriff (“brass riff”), Harald provides two tracks which have his main instrument – the French horn – at the centre, albeit heavily processed and sometimes literally chopped up. And, as always, to listen with pleasure.

Cassingle #2 – The Master Musicians of Dyffryn Moor [SPT04]

Categories: Releases

25 Artists. 25 C-5 (that’s 2:30 per side) cassettes with two tracks (exclusive B-side). Strictly limited to 10 hand-dubbed copies each. Custom design. 

superpolar Taïps proudly presents the second release of its Cassette Single series. 

The Master Musicians of Dyffryn Moor are a ragtag band of percussionists from a parallel Wales where rituals and folklore dominate contemporary life. 

The “Blessing of the Hand-Sanitizer” ritual gives thanks for the anti-viral and anti-bacterial properties of this in-demand substance, and aims to ensure its plentiful supply. The ceremony documented here took place in Llangollen, and was led by local elder Carnedd Aur. 

The “Blessing of the Spam Filters” ritual gives thanks for protection against unwanted pharmaceutical offers and banking scams. Timing of the ritual is crucial, and 2:30 is generally believed to be the optimal length. Less than this, and the filters are feared to become ineffective. Longer rituals, on the other hand, are thought to lead to an increasing number of false positives.

The Cassingle Series

Categories: Releases

30 Artists. 30 C-5 cassettes (that’s an intentional, conceptual limitation of 2 minutes and 30 seconds per track). Exclusive B-sides. Individual artworks. 10 hand-dubbed copies per tape will go on sale. Eventually, all tracks will be released on a compilation (digital/cassette), planned for late 2021. That’s the SPT Cassingle series in a nutshell.

The first two batches of three were released on Friday 6 November and 4 December 2020 and quickly sold out. First artists were Tiger Village (SPT03), The Master Musicians of Dyffryn Moor (SPT04), Harald Sack Ziegler (SPT05), qualchan., German Army and Modus Pony. 24 follow.

(Confirmed) contributing artists: Seffi Starshine, Fae Moonbeam, Cruel Diagonals, moduS ponY, Nicholas Langley, Emerging Industries of Wuppertal, Phirnis, Whettman Chelmets, Aros E-V, Melquiades, qualchan., German Army, Stichflamme Dormagen, bleed Air, Ball Geographie, Leaaves, Francesco Ameglio/I Was Listening To Tapes In Tokyo), Tiger Village, The Master Musicians of Dyffryn Moor, Harald Sack Ziegler, Daniel Saylor, Adderall Canyonly, Jamie Orlando/Zigra, The Tuesday Night Machines, Therapeutische Hoergruppe Koeln, Rangers, Chorchill, Cinchel …  and more.

Stay tuned for more details on the individual releases and artists mentioned over at Bandcamp or here.

bleed Air (SPT02)

Categories: Releases

bleed Air’s debut full-length is a mix tape blending dark ambient, playful electronica as well as experimental beat and drone.

A journey into warm, analogue noise, echo and soundscapes, sometimes resembling a soundtrack for a yet to be filmed low budget sci-fi movie. When Robot choirs start singing or broken analogue circuits and filters start doing what they want, it can get wacky, but we think it always remains pleasant to listen. Mostly analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects were used.

It is recommended to listen to each side of the album in one piece.

bleed Air lives in Cologne, runs this label, loves his Omnichord OM-27 and his tape echo too.

Ball Geographie – Live at Budokan (SPT01)

Categories: Releases

Many references and elements come to mind when trying to describe Ball Geographie’s music: From Chamber Pop to Disco. From Lo-fi to High-End. Found sound referencing the likes of Studio Braun. Fully conscious use of presets, but only when they make full sense. Beats. No improvisation, everything is always structured to the maximum. 80ies vibes, folky guitars, timelessness …. It is electronic, and acoustic.

Ball Geographie lives, works and produces his music in Cologne, Germany. He loves his Boss DR-550 and its HiQ sound. Kalimbas, musical toys and Dictaphones too.

-> Read more on the artists page