Modelbau – Aether Aleatorica (C60)
Released 4 June on Tape and digital. An eerie radiophonic trip.
a long awakening [Cassingle #18]
Guitarist extraordinaire Cinchel from Chicago joins the cassingle series! Read more …
Zigra – Enif [Cassingle #19]
Fantastic Electronics, knob twiddling and meticulous glitching by Jamie Orlando (Delaware – USA).
Emerging Industries Of Wuppertal – The Future Is Under Control [Cassingle #17]
Emerging Industries Of Wuppertal’s Cassingle debut. Recorded by a sales intern of fellow Cologne Strategic Tape Reserve, who occasionally produces music for a nearby industrial association to use during meetings and celebrations.
The Tuesday Night Machines – Chondrite [Cassingle #16]
To quote the artist “Dip your toes into the sparkling pixel pond and listen to more synthetic octopus noise …” and add, from my side, “by the visiting the release page embedded below or TTNM’s lovely Youtube channel.”
Phirnis – Culinary Delights [Cassingle #15]
Oops. A maxi cassingle. Phirnis aka Kai Ginkel’s super dark, noisy and haunty tracks are awesome, but impossible to squeeze into two minutes and thirty seconds. So for once I break the otherwise strict rule. Further info on the BC release page …
Cruel Diagonals – Carapace [Cassingle #14]
“‘Carapace’ and ‘Oneiric Amplitude’ (Side B, bonus track) are tracks composed entirely from my voice. Here, I’m exploring themes of the subconscious, namely the dream state and its ability to communicate vital shifts within our healing before our conscious mind becomes aware of them”, says Megan Mitchell.
She composes unsettling, ethereal music under the alias Cruel Diagonals. A jazz and classically trained vocalist, Mitchell performs and creates in numerous capacities.
Cruel Diagonals is an outlet for destructive sample processing, vocal exploration, and a palette for inter-media contemplations and applications. Influenced by early experimental filmmakers such as Maya Deren and Kenneth Anger, Cruel Diagonals has been described in cinematic terms, evoking moods and montages of an eerie, surrealist timbre. Warped field recordings and layered vocals incite a beckoning to a phantasmagorical, metallic-tinged state of existence.
Visit www.crueldiagonals.com for more.
Adderall Canyonly – A Quick Race to the Super Nova [Cassingle #13]
Aros E-V – Rift [Cassingle #12]
Aros E-V is the ambient music project of sound artist Ryan Evans. Using tape loops, field recordings, and digital processing, he creates slow sound pieces that underline the passing of time.
‘In Time’ and ‘In Space’ are edges and breaks. Assembled with guitar, four-track, and digital processing, They trace the negative space between miniscule sonic vignettes.
Sinusoidal Frequency Modulations by Robin Barnick
A minimal synth EP, garnished with harsh noise, composed entirely on a Yamaha DX7. Despite the minimal setup, it creates an intense, sometimes uplifting, sometimes eerie atmosphere.. We believe that you’ve rarely heard the DX7 like that before.
Artist Robin Barnick sold his DX7 a long time ago – it was a rocking DX7IIFD in excellent shape… and yes, he regrets it, a lot. There was just too little space in his apartment and he thought the NI FM7 would do too. Far from it. Here’s what he has to say about the album:
“At the time, I guess it was around 2001, I was trying to program the DX7 and accidentally deleted all of the presets when I started to experiment with emagic’s SoundDiver. Every single patch was reset to the “Init” sound, a simple sine wave.
OK, never mind, I thought, and then got hooked when I started manipulating this ultra simple patch live, with the help of Sounddiver’s quite impressive capabilities.
I was fascinated by how easy it now was to elicit experimental sounds from this otherwise difficult-to-operate machine. I didn’t care about sequencing, so this is just me, playing simple chord progressions and notes with the left hand and manipulating them with my right hand on the mouse, twiddling SoundDiver’s faders. All was recorded live on Minidisc (in mono).
At the time I really wasn’t sure whether the music was good at all, so I put the MD aside … and forgot it. When I remembered it again some time ago, I spent endless hours searching – all my MDs were there, just not this one. When I was about to give up, I rediscovered it, edited the material and subsequently processed the tracks with some few effects.”
Robin Barnick resides in Niederkassel-Lülsdorf-Ranzel, in the lovely rural-industrial no one’s land between Cologne and Bonn, in the wild, wild western part of Germany and at the heart of Europe.
Daniel Saylor – Galaxies – Cassingle #11
Cassingle #10 – Windowed by I Was Listening To Tapes In Tokyo
bleed Air – Ogehiko (Cassingle #9)
Ogehiko and Yahiko are tape loop siblings.
Ogehiko is a layered four track cassette tape loop., The artist does not exactly remember how he created the main sound element (with one of his synths, he believes). He however recognises use of the Fostex’s lovely pitch wheel, which he digs a lot.
Yahiko is a reel to reel found sound tape loop, played at various speeds and sometimes also slowing the reels down by hand, eventually processed with an aged digital pitch shifter/delay pedal. The artist, due to his continual confusion while splicing the 4-track tape), no longer knows whether the basic drone sound is playing forwards or backwards.
Cassingle #8: Nicholas Langley
Cassingle #7: Whettman Chelmets
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Cassingle #6: moduS ponY [SPT08]
I first came across modus pony’s music on a split tape released by Cologne’s Strategic Tape Reserve. His genre-spanning, intricate guitar/bass/synth arrangements immediately stood out (of course next to the artist behind VLK, whom we’ll welcome soon as part of this cassingle series too). Because of its complexity, “Systemmetry/2Systemmetry” could be perceived as a concept album condensed to two times 2.5 minutes. However, this time, the multi-instrumentalist reveals even more of his experimental side – bubbling analogue synths compete with free jazz guitar scales and it’s not clear who’s gonna win this gentle battle. Btw: Does your tape have auto-reverse? This is the opportunity to use it. moduS ponY resides in California, USA. – bleed Air
Cassingle #5 – German Army [SPT07]
German Army is a two piece (DT and GT) from the San Gabriel Valley, California, USA. Raised on Sydney Possuelo and Paulo Freire, their catalog seeks to critique US imperialism and nationalism.
Their frequent and consistently outstanding releases have established them as one of the most present groups in the international tape scene in recent years, not to mention their many side projects.
Cassingle #4 – qualchan. [SPT06]
Fourth release of our cassette single series.
qualchan. is a native american multi-disciplinary artist residing deep in the heart of cascadia. they describe their work as a reimagining of americana filtered through the tropes of new age, focusing primarily on living through the anthropocene. they call this wave now age, & are the only member of this school. they have released through Strategic Tape Reserve, Hotham Sound, No Problema Tapes and many others.
Cassingle #3 – Harald Sack Ziegler [SPT05]
25 Artists. 25 C-5 (that’s 2:30 per side) cassettes with two tracks (exclusive B-side). Strictly limited to 10 hand-dubbed copies each. Custom design.
superpolar Taïps proudly presents the third release of its Cassette Single series. superpolar.org/2020/10/20/the-spt-cassingle-series/
The number of his entries on discogs is 49 – in reality there are innumerable and probably half of them are cassettes or other obscure formats such as a (CD-sized 5″) vinyl single called “See Dee”. To keep it short: Harald Sack Ziegler – or simply “Sack” – is a lo-fi experimental trash pop/punk legend. He is by no means just a solo artist, as he has already worked with musicians like E*Rock (Sack & E*Rock), FS Blumm (Sack & Blumm), Mouse on Mars and many more. Harald studied orchestral music and is a master of French horn, guitar, drums and toy instruments – but rarely uses them as inventors usually intended.
With Ahornschraube (“maple screw”) and Blechriff (“brass riff”), Harald provides two tracks which have his main instrument – the French horn – at the centre, albeit heavily processed and sometimes literally chopped up. And, as always, to listen with pleasure.
Cassingle #2 – The Master Musicians of Dyffryn Moor [SPT04]
25 Artists. 25 C-5 (that’s 2:30 per side) cassettes with two tracks (exclusive B-side). Strictly limited to 10 hand-dubbed copies each. Custom design.
superpolar Taïps proudly presents the second release of its Cassette Single series.
The Master Musicians of Dyffryn Moor are a ragtag band of percussionists from a parallel Wales where rituals and folklore dominate contemporary life.
The “Blessing of the Hand-Sanitizer” ritual gives thanks for the anti-viral and anti-bacterial properties of this in-demand substance, and aims to ensure its plentiful supply. The ceremony documented here took place in Llangollen, and was led by local elder Carnedd Aur.
The “Blessing of the Spam Filters” ritual gives thanks for protection against unwanted pharmaceutical offers and banking scams. Timing of the ritual is crucial, and 2:30 is generally believed to be the optimal length. Less than this, and the filters are feared to become ineffective. Longer rituals, on the other hand, are thought to lead to an increasing number of false positives.
Cassingle #1: Tiger Village [SPT03]
25 Artists. 25 C-5 (that’s 2:30 per side) cassettes with two tracks. Exclusive B-sides. Strictly limited to 10 hand-dubbed copies each. Custom design.
superpolar Taïps presents the first release of its Cassette Single series.
The original thought behind the music of Tiger Village was to make music that is missing a core component of composition, as if an artificial or alien intelligence tried to mimic human music but the results were skewed. Much of this is achieved by blurring the concepts of tempo, rhythm and time signature. Over the years of the project the processes Tiger Village uses have changed, but the concept of blurring the lines of composition always remains.
Tiger Village is Tim Thornton. He lives in Cleveland, Ohio, USA and runs the Suite 309 label (suite309.bandcamp.com).
The Cassingle Series
Updated 11 September 2023
35 Artists. 35 cassette singles. Exclusive B-sides. Individual artwork. A limited number of hand-dubbed copies per tape and artist. Eventually, all tracks will be released on a compilation (digital/cassette), planned for sometime in 2024. That’s the SPT Cassingle series in a nutshell.
The first two batches of three were released on Friday 6 November and 4 December 2020. First artists were Tiger Village (SPT03), The Master Musicians of Dyffryn Moor aka Carnedd Aur and LLWCH (SPT04), Harald Sack Ziegler (SPT05), qualchan., German Army and Modus Pony. T
Contributing artists: Orca, Attack! (Elizabeth Joan Kelly & David Rodriguez), Cruel Diagonals, moduS ponY, Nicholas Langley, Emerging Industries of Wuppertal, Phirnis, Whettman Chelmets, Aros E-V, Carlos Perea Milla aka Melquiades, qualchan., German Army, Stichflamme Dormagen, bleed Air, Ball Geographie, Leaaves, Francesco Ameglio/I Was Listening To Tapes In Tokyo, Tiger Village, The Master Musicians of Dyffryn Moor, Harald Sack Ziegler, Daniel Saylor, Adderall Canyonly, Jamie Orlando/Zigra, The Tuesday Night Machines, Robin Barnick, Therapeutische Hoergruppe, QST, Von Heuser, Chorchill, Cinchel, Hualun, Ffion, Letters from Mouse, Goodparley, YOCKO O.NE feat. prinz-ip aka A Gogol, Xqui.
Further details on individual releases and artists on Bandcamp or here.
bleed Air (SPT02)
bleed Air’s debut full-length is a mix tape blending dark ambient, playful electronica as well as experimental beat and drone.
A journey into warm, analogue noise, echo and soundscapes, sometimes resembling a soundtrack for a yet to be filmed low budget sci-fi movie. When Robot choirs start singing or broken analogue circuits and filters start doing what they want, it can get wacky, but we think it always remains pleasant to listen. Mostly analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects were used.
It is recommended to listen to each side of the album in one piece.
bleed Air lives in Cologne, runs this label, loves his Omnichord OM-27 and his tape echo too.
Ball Geographie – Live at Budokan (SPT01)
Many references and elements come to mind when trying to describe Ball Geographie’s music: From Chamber Pop to Disco. From Lo-fi to High-End. Found sound referencing the likes of Studio Braun. Fully conscious use of presets, but only when they make full sense. Beats. No improvisation, everything is always structured to the maximum. 80ies vibes, folky guitars, timelessness …. It is electronic, and acoustic.
Ball Geographie lives, works and produces his music in Cologne, Germany. He loves his Boss DR-550 and its HiQ sound. Kalimbas, musical toys and Dictaphones too.
-> Read more on the artists page