Friday 1 October sees the release of a new Cassette Single by QST, Frans de Waard’s – as he says – ‘failed attempt’ on producing ambient house music. I must say I’m glad he failed since what he produces as QST (with beats) and Quest (w/o beats) is way better than what the genre name suggests. In simple terms it’s pretty captivating minimal synth stuff.
The QST cassingle will be accompanied by a new bleed Air album, titled ‘time, ferocious’ – the first following the eponymous 2020 debut album. It is an attempt at sonic exploration of concepts of time.
bleed Air concludes the work started with Cassingle ‘Ogehiko/Yahiko’, albeit in a somewhat noisier and more abstract way. Again, all instruments and other (found) sounds were recorded to and with mostly half broken reel to reel and cassette tape machines, fully exploiting their fantastic manipulation capabilities.
Both cassettes will be available from Friday, 09:00 CEST and also offered as a bundle, so that you can save on postage.
P.S.: The ‘time, ferocious’ digital download will be ‘name your price’ for the first couple of weeks.
CARLOS PEREA MILLA has been creating improvised ambient experiments under the moniker MELQUÍADES since 2016, using tapes, electronics, guitars, harps, field recordings and other sounds. His first two solo albums, ‘Keep A Seed’ and ‘Imaginary Soundscapes / A Map’ were released on CANIGOU RECORDS, the cassette label he has been running from London, Buenos Aires and Málaga. He also co-runs the concert series Bedroom Gigs with Catrin Vincent.
tactile / distante’ was recorded in October and November 2020 in Málaga, right after the change of seasons and right at the start of a new life chapter. This new work is heavily inspired by instrumental and folk music, and artists like Lake Mary, Karen Dalton, John Fahey, Nathan Salsburg, Wall Matthews and Mat Eric Hart.
It’s less abstract and more tangible, but it stays experimental: each part was recorded separately into a tape recorder whilst listening to a metronome, then sent to another tape machine, then into Ableton where the two songs were pieced together, editing the speed and pitch variations caused by the tape. And it has drums for the first time – a lot of drums. ‘tactile /’ features a recording from a conversation I had with Calum Perrin about modes of listening.
‘Ihre Meinung ist uns wichtig‘ is the artist’s debut under his Stichflamme Dormagen moniker and, in Vital Weekly’s words, “a most curious piece of voices, chanting exotically, along with wooden drum percussion and line hum for electronic component (…)” as well as “urgency and weirdness at work.” (www.vitalweekly.net/1294.html)
Stichflamme Dormagen is the mischievous incarnation of Rudi Baumgärtner, a music producer born and raised in the city of Remagen, in western Germany.
Not much is known about Baumgärtner except his attempts to self-publish criminal stories under the moniker Sulke Diebler and his deep mistrust of public transport.
In 2006 he took part in a macramé class. Baumgärtner makes his living from soundtracks for local adult film productions. He spends his free time in his little garden in the Remagen suburbs, where he breeds rare slug species.
— THE CASSINGLE SERIES —
30+ Artists. 30+ cassette singles with an intentional, conceptual limitation of under 3 mins per track, exclusive B-sides. Individual artworks. Merely 10 hand-dubbed copies per tape will go on sale. Eventually, all tracks will be released on a compilation, planned for late 2021. That’s the SPT Cassingle series in a nutshell
Following the long sold-out ‘Blessing of the Hand-Sanitizer’ cassingle, superpolar Taïps is very happy to present the first full-length release by prolific and versatile artist Simon Proffitt, here under his Carnedd Aur moniker.
Here’s Simon’s take on ‘Beetles’:
“After a few years of exploring drones / tones / field recordings (as Cahn Ingold Prelog), fictional ritual trance (as The Master Musicians of Dyffryn Moor) and the outer limits of acoustic instrumentation (as Simon Proffitt), the Carnedd Aur project came about as an answer to the question of whether I was capable of writing electronic pop music.
It turns out that I am not – at least, not yet – but what arose instead was actually far more satisfying. Armed with just a MicroKORG, bought years earlier for a one-off gig in a swimming pool and then not used since, I set about trying to make shorter pieces with a focus on rhythm and melody of the kind that my parents (harsh critics of my other work) might not actually like, but might at least understand as music.
Carnedd Aur translates into English as Gold Cairn, a sort of Welsh-language take on Cahn Ingold Prelog.
I’ve long been fascinated by evocative common names for species (mushrooms, moths etc), and especially so in the case of beetles – these names add a layer of mystery and magic to creatures that are well known from a distance but fascinating and alien when viewed close up. It seems to me that there’s a definite link between shuffling drum machine rhythms and busily meandering insects, between shimmering synth pads and shiny, multi-coloured wing-cases.”
Emerging Industries Of Wuppertal’s Cassingle debut. Recorded by a sales intern of fellow Cologne Strategic Tape Reserve, who occasionally produces music for a nearby industrial association to use during meetings and celebrations.
To quote the artist “Dip your toes into the sparkling pixel pond and listen to more synthetic octopus noise …” and add, from my side, “by the visiting the release page embedded below or TTNM’s lovely Youtube channel.”
Oops. A maxi cassingle. Phirnis aka Kai Ginkel’s super dark, noisy and haunty tracks are awesome, but impossible to squeeze into two minutes and thirty seconds. So for once I break the otherwise strict rule. Further info on the BC release page …
“‘Carapace’ and ‘Oneiric Amplitude’ (Side B, bonus track) are tracks composed entirely from my voice. Here, I’m exploring themes of the subconscious, namely the dream state and its ability to communicate vital shifts within our healing before our conscious mind becomes aware of them”, says Megan Mitchell.
She composes unsettling, ethereal music under the alias Cruel Diagonals. A jazz and classically trained vocalist, Mitchell performs and creates in numerous capacities.
Cruel Diagonals is an outlet for destructive sample processing, vocal exploration, and a palette for inter-media contemplations and applications. Influenced by early experimental filmmakers such as Maya Deren and Kenneth Anger, Cruel Diagonals has been described in cinematic terms, evoking moods and montages of an eerie, surrealist timbre. Warped field recordings and layered vocals incite a beckoning to a phantasmagorical, metallic-tinged state of existence.
qualchan. is a native american multi-disciplinary artist residing deep in the heart of cascadia. they describe their work as a reimagining of americana filtered through the tropes of new age, focusing primarily on living through the anthropocene. they call this wave now age, & are the only member of this school. they have released through Strategic Tape Reserve, Hotham Sound, No Problema Tapes and many others.
bleed Air’s debut full-length is a mix tape blending dark ambient, playful electronica as well as experimental beat and drone.
A journey into warm, analogue noise, echo and soundscapes, sometimes resembling a soundtrack for a yet to be filmed low budget sci-fi movie. When Robot choirs start singing or broken analogue circuits and filters start doing what they want, it can get wacky, but we think it always remains pleasant to listen. Mostly analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects were used.
It is recommended to listen to each side of the album in one piece.
bleed Air lives in Cologne, runs this label, loves his Omnichord OM-27 and his tape echo too.
Many references and elements come to mind when trying to describe Ball Geographie’s music: From Chamber Pop to Disco. From Lo-fi to High-End. Found sound referencing the likes of Studio Braun. Fully conscious use of presets, but only when they make full sense. Beats. No improvisation, everything is always structured to the maximum. 80ies vibes, folky guitars, timelessness …. It is electronic, and acoustic.
Ball Geographie lives, works and produces his music in Cologne, Germany. He loves his Boss DR-550 and its HiQ sound. Kalimbas, musical toys and Dictaphones too.