Date: 26. August 2022
Beyond happy to welcome Petridisch to the superpolar Taïps artist roster. Besides his musical output, Thor is known for running the fish prints label and his involvement in Ilya S’s I Heart Noise ihrtn.net (until 2020). Both are an intrinsic part of the Boston underground. I sincerely hope that you will be as captivated by Petridisch’s (anti-)etudes as much as I am. Contemporary classical? Minimal music? Maybe, but certainly the Petridisch way:
Etudes Vol. 1 (C-20), a red transparent C-20 EP featuring six tracks, is yours for 6.50 €. Please also do read Petridisch’s extensive and very interesting liner notes.
Today’s other (pre-)release of the day is five Bubble criteria’s VI. It is, or better: has become a side project of bleed Air, i.e. me, the label guy. VI could actually have been a bleed Air album, but it somehow drifted away from the usually more experimental (vintage) electronic approach during the recording process … and features some rather longform tracks built with experimental guitar and bass (mainly the Fender Jaguar Baritone VI – hence the title), sparse analogue electronics, tape effects and spoken word in various forms, thanks to the always amazing Chip Perkins and a first appearance in this regard by my pal (and better half, probably) Robin Barnick. Even Modelbau’s there, kindly letting me use one of his recordings for ‘Aether Aleatorica‘, in terms of sales and listens our most successful albums so far.
VI, a beautiful fosfo orange, transparent C-31 album is yours for 7.50 € + postage.
Enough said – I hope you will enjoy this, and to do so without committing to anything, both digital releases will be ‘name your price’ for the first two weeks after full release on 2 Sept.
Both cassettes will also be available as a reduced price bundle – later today!
Date: 27. July 2021
Following the long sold-out ‘Blessing of the Hand-Sanitizer’ cassingle, superpolar Taïps is very happy to present the first full-length release by prolific and versatile artist Simon Proffitt, here under his Carnedd Aur moniker.
Here’s Simon’s take on ‘Beetles’:
“After a few years of exploring drones / tones / field recordings (as Cahn Ingold Prelog), fictional ritual trance (as The Master Musicians of Dyffryn Moor) and the outer limits of acoustic instrumentation (as Simon Proffitt), the Carnedd Aur project came about as an answer to the question of whether I was capable of writing electronic pop music.
It turns out that I am not – at least, not yet – but what arose instead was actually far more satisfying. Armed with just a MicroKORG, bought years earlier for a one-off gig in a swimming pool and then not used since, I set about trying to make shorter pieces with a focus on rhythm and melody of the kind that my parents (harsh critics of my other work) might not actually like, but might at least understand as music.
Carnedd Aur translates into English as Gold Cairn, a sort of Welsh-language take on Cahn Ingold Prelog.
I’ve long been fascinated by evocative common names for species (mushrooms, moths etc), and especially so in the case of beetles – these names add a layer of mystery and magic to creatures that are well known from a distance but fascinating and alien when viewed close up. It seems to me that there’s a definite link between shuffling drum machine rhythms and busily meandering insects, between shimmering synth pads and shiny, multi-coloured wing-cases.”
Read more about Beetles here.
CARNEDD AUR DISCOGRAPHY
Moths (Wormhole World, 2020)
Hel Bwyd Cennad y Meirw (Exotic Spresm, 2020)
Music for the Welsh European Funding Office (Exotic Spresm, 2019)
releases August 6, 2021
Written, performed and recorded by Simon Proffitt at the Museum of Dust, January-March 2020 with a MicroKORG and Toshiba Satellite L300.
Date: 9. December 2020
I first came across modus pony’s music on a split tape released by Cologne’s Strategic Tape Reserve. His genre-spanning, intricate guitar/bass/synth arrangements immediately stood out (of course next to the artist behind VLK, whom we’ll welcome soon as part of this cassingle series too). Because of its complexity, “Systemmetry/2Systemmetry” could be perceived as a concept album condensed to two times 2.5 minutes. However, this time, the multi-instrumentalist reveals even more of his experimental side – bubbling analogue synths compete with free jazz guitar scales and it’s not clear who’s gonna win this gentle battle. Btw: Does your tape have auto-reverse? This is the opportunity to use it. moduS ponY resides in California, USA. – bleed Air
Date: 20. October 2020
30 35 (then, it’ll really be over) Artists. 35 cassette singles. Exclusive B-sides. Individual artworks. A limited number hand-dubbed copies per tape and artist Eventually, all tracks will be released on a compilation (digital/cassette), planned for … I don’t know, maybe end 2022 or beginning 2023. That’s the SPT Cassingle series in a nutshell.
The first two batches of three were released on Friday 6 November and 4 December 2020 and quickly sold out. First artists were Tiger Village (SPT03), The Master Musicians of Dyffryn Moor (SPT04), Harald Sack Ziegler (SPT05), qualchan., German Army and Modus Pony. Thank you all so much for this!
Contributing artists: Orca, Attack! (Elizabeth Joan Kelly & David Rodriguez), Cruel Diagonals, moduS ponY, Nicholas Langley, Emerging Industries of Wuppertal, Phirnis, Whettman Chelmets, Aros E-V, Carlos Perea Milla aka Melquiades, qualchan., German Army, Stichflamme Dormagen, bleed Air, Ball Geographie, Leaaves, Francesco Ameglio/I Was Listening To Tapes In Tokyo, Tiger Village, The Master Musicians of Dyffryn Moor, Harald Sack Ziegler, Daniel Saylor, Adderall Canyonly, Jamie Orlando/Zigra, The Tuesday Night Machines, Robin Barnick, Therapeutische Hoergruppe, QST, Von Heuser, Chorchill, Cinchel, Hualun, Ffion, Petridisch, Yves Malone, Letters from Mouse, Goodparley.
Stay tuned for more details on the individual releases and artists mentioned over at Bandcamp or here.
Date: 4. September 2020
bleed Air’s debut full-length is a mix tape blending dark ambient, playful electronica as well as experimental beat and drone.
A journey into warm, analogue noise, echo and soundscapes, sometimes resembling a soundtrack for a yet to be filmed low budget sci-fi movie. When Robot choirs start singing or broken analogue circuits and filters start doing what they want, it can get wacky, but we think it always remains pleasant to listen. Mostly analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects were used.
It is recommended to listen to each side of the album in one piece.
bleed Air lives in Cologne, runs this label, loves his Omnichord OM-27 and his tape echo too.
Date: 4. September 2020
Many references and elements come to mind when trying to describe Ball Geographie’s music: From Chamber Pop to Disco. From Lo-fi to High-End. Found sound referencing the likes of Studio Braun. Fully conscious use of presets, but only when they make full sense. Beats. No improvisation, everything is always structured to the maximum. 80ies vibes, folky guitars, timelessness …. It is electronic, and acoustic.
Ball Geographie lives, works and produces his music in Cologne, Germany. He loves his Boss DR-550 and its HiQ sound. Kalimbas, musical toys and Dictaphones too.
-> Read more on the artists page