“The music is both atmospheric and aggressive, although the bleeping strikes me as more ambient than kosmische. Either way, a cool tape.” Byron Coley in The Wire 475, September 2023
“If a tape loops infinitely, where does it start and end?
A new split cassette from anonymous electronic artist and bassist bleed Airand Shenzhen legends Hualun ruminates quietly on that enquiry. The beginnings and conclusions are not clear. There is an A-side and a B-side, one by bleed Air and one by Hualun, but the labels glued to each side of the cassette shell might as well be interchangeable. (…)
These two sides are, then, inextricably and umbilically linked. They both occupy a contemporary vantage point overlooking some of 1970s German electronic music’s finest moments, completely in tune with the sonic adventuring that the likes of Conrad Schnitzler and a select pioneering few bravely undertook.” (…) Mat Smith, Further. <- read the full review)
“There’s this shed out in the desert. They keep breaking in and taking stuff. Every time I try to secure the door, they find some way in. None of it is mine anyway, which is probably why I gave up after the third robbery. It’s funny though, the things I think are worth something they tend to leave: some old records, 16 track reel to reel tape, some flood lights, a wheelbarrow, a glass head, a book about how George Bush lied a lot. Every time I peruse its contents, I find some quirky thing in there. Maybe that’s what the thieves like about it too. To tell the truth, I don’t really know what they’ve stolen because I’ve never taken a thorough inventory. It’s better that way. Maybe it’s something I would have wanted, but I’m not going to miss it.“
Tuesday, 23 May 2023, 16:00-18:00 CEST, Dirk Specht (Therapeutische Hörgruppe, Miniklon) and Georg Dietzler (artist, curator, gerngesehen.de) welcomed bleed Air, i.e., well … me, the guy who runs the superpolar Taïps label and also produces music as bleed Air, to FUNKT Sessions on Cologne, Germany’s 674.fm for a two hour live broadcast.
As part of the programme announcement, Georg wrote:
“Experimental pop music on cassettes” – superpolar Taïps is a micro-label, non-commercial, not-for-profit, with a preference for unusual, rarely heard music on cassettes which don’t have much relevance in the mainstream but are becoming increasingly popular in independent and experimental music scenes.
Limited edition cassettes, albums, EPs and – a special format – so-called ‘cassingles’, indeed cassette singles, within the framework of a series that will culminate in a compilation in 2024, have been and are still being released.
Perkins and Federwisch are an electronic pop duo inspired by other electronic pop duos, such as Modern Talking and Captain & Tennille. After a brief foray into educational audio systems, on their third studio album the pair return to entertainment music, specifically sentimental ballads and pop standards. While working within the formalized structures of the Euskirchen Avant-Schlager Scene, the seven songs cover a range of themes including aggrievement, remembering things that happened in the past, and remaining sensible in a world that doesn’t make sense. So dim the lights, pour yourself a chilled glass of dessert wine, double check that you turned off the oven, and let Chip and Uli entertain you with something known as music!
Multidisciplinary artist Andreas Gogol first caught our attention with his stunning vocal performances on Guido Möbius‘s album ‘Gebirge’ (Karaoke Kalk, 2009), even if he had been present in the experimental music scene way longer, for example with his album ‘Gorymaaz’, released on A-Musik in 2005.
On this cassette single, Gogol appears under the YOCKO O.NE feat. prinz-ip moniker, offering two quite diverse tracks:
On O.H.E. [action], Gogol takes his funky, dadaesque vocals one step further by bending time and space and chopping things up while it seems as if at the same time a weird entertainer looses control over his organ and its rhythm machine. A feast for the ears.
R.I.FF. [minox], on the other hand, points more to the other facet of agogol: That of the experimental filmmaker, who here perhaps contributes part of a soundtrack to a neo-noir style film he has not yet released. Supposedly you never heard an accordion that dark.
five Bubble criteria (fBc) is a bleed Air side project. A mix of experimental rock, spoken word, sparse electronics, tape effects. Lo-Fi.
“Five Bubble criteria deal in a kind of dissolving fantasy Americana built on twanging guitar lines that melt into broken AM radio white noise chatter. On “Reservoir”, the addition of a spoken narrative by Chip Perkins moves the sound away from abstract, doomy ambience towards denatured horror commentary, like a video game that has swapped the living dead for the citizens of Twin Peaks. As the record closes, its style changes again, “Vays-Rays” concocting a wobbly jangle that sounds a bit like if Nouvelle Vague had covered the Smashing Pumpkins. If it’s completely odd, it’s also completely brilliant.”
(Spenser Tomson in The Wire, November 2022)
“The bleed Air side project takes on a Labradfordian-mindset of tape splicing and spoken word cacophonies; transient noise bursts & out of body hilarity ensues.”
Time as physical quantity, the nature of time as defined by general relativity, the resulting model of spacetime (German: Raumzeit) and ripples therein caused by gravitational waves. Time dilation, time offset, time measurement. Present, future, past.
An attempt to approach the complex subject of time and spacetime sonically, using devices that allow time manipulation (somewhat): Analogue tape recorders, effect pedals with ‘time’ knobs.
All instruments were recorded to and with (mostly half broken) tape machines on looped reel to reel or endless cassette tapes. On some tracks, these machines were also used as tape echos, mostly by exploiting their saturation, warm overdrive and noise capabilities.
Instruments and sound sources and tools used: Field recordings (Star City Tserkov’ Spasa Preobrazheniya church bells; Mbira, Kalimba, Acoustic Guitar, electric bass guitar, cello bows, human voice, found reel to reel audio that came with used tape recorders I bought), synthesizers.
In a way, this album concludes, albeit in a somewhat noisier, abstract and sometimes deafening way, what I started with the ‘Ogehiko/Yahiko’ cassingle.
‘Ihre Meinung ist uns wichtig‘ is the artist’s debut under his Stichflamme Dormagen moniker and, in Vital Weekly’s words, “a most curious piece of voices, chanting exotically, along with wooden drum percussion and line hum for electronic component (…)” as well as “urgency and weirdness at work.” (www.vitalweekly.net/1294.html)
Stichflamme Dormagen is the mischievous incarnation of Rudi Baumgärtner, a music producer born and raised in the city of Remagen, in western Germany.
Not much is known about Baumgärtner except his attempts to self-publish criminal stories under the moniker Sulke Diebler and his deep mistrust of public transport.
In 2006 he took part in a macramé class. Baumgärtner makes his living from soundtracks for local adult film productions. He spends his free time in his little garden in the Remagen suburbs, where he breeds rare slug species.
— THE CASSINGLE SERIES —
30+ Artists. 30+ cassette singles with an intentional, conceptual limitation of under 3 mins per track, exclusive B-sides. Individual artworks. Merely 10 hand-dubbed copies per tape will go on sale. Eventually, all tracks will be released on a compilation, planned for late 2021. That’s the SPT Cassingle series in a nutshell
“‘Carapace’ and ‘Oneiric Amplitude’ (Side B, bonus track) are tracks composed entirely from my voice. Here, I’m exploring themes of the subconscious, namely the dream state and its ability to communicate vital shifts within our healing before our conscious mind becomes aware of them”, says Megan Mitchell.
She composes unsettling, ethereal music under the alias Cruel Diagonals. A jazz and classically trained vocalist, Mitchell performs and creates in numerous capacities.
Cruel Diagonals is an outlet for destructive sample processing, vocal exploration, and a palette for inter-media contemplations and applications. Influenced by early experimental filmmakers such as Maya Deren and Kenneth Anger, Cruel Diagonals has been described in cinematic terms, evoking moods and montages of an eerie, surrealist timbre. Warped field recordings and layered vocals incite a beckoning to a phantasmagorical, metallic-tinged state of existence.
The Master Musicians of Dyffryn Moor are a ragtag band of percussionists from a parallel Wales where rituals and folklore dominate contemporary life.
The “Blessing of the Hand-Sanitizer” ritual gives thanks for the anti-viral and anti-bacterial properties of this in-demand substance, and aims to ensure its plentiful supply. The ceremony documented here took place in Llangollen, and was led by local elder Carnedd Aur.
The “Blessing of the Spam Filters” ritual gives thanks for protection against unwanted pharmaceutical offers and banking scams. Timing of the ritual is crucial, and 2:30 is generally believed to be the optimal length. Less than this, and the filters are feared to become ineffective. Longer rituals, on the other hand, are thought to lead to an increasing number of false positives.
35 Artists. 35 cassette singles. Exclusive B-sides. Individual artwork. A limited number of hand-dubbed copies per tape and artist. Eventually, all tracks will be released on a compilation (digital/cassette), planned for sometime in 2024. That’s the SPT Cassingle series in a nutshell.
Contributing artists: Orca, Attack! (Elizabeth Joan Kelly & David Rodriguez), Cruel Diagonals, moduS ponY, Nicholas Langley, Emerging Industries of Wuppertal, Phirnis, Whettman Chelmets, Aros E-V, Carlos Perea Milla aka Melquiades, qualchan., German Army, Stichflamme Dormagen, bleed Air, Ball Geographie, Leaaves, Francesco Ameglio/I Was Listening To Tapes In Tokyo, Tiger Village, The Master Musicians of Dyffryn Moor, Harald Sack Ziegler, Daniel Saylor, Adderall Canyonly, Jamie Orlando/Zigra, The Tuesday Night Machines, Robin Barnick, Therapeutische Hoergruppe, QST, Von Heuser, Chorchill, Cinchel, Hualun, Ffion, Letters from Mouse, Goodparley, YOCKO O.NE feat. prinz-ip aka A Gogol, Xqui.
Further details on individual releases and artists on Bandcamp or here.
bleed Air’s debut full-length is a mix tape blending dark ambient, playful electronica as well as experimental beat and drone.
A journey into warm, analogue noise, echo and soundscapes, sometimes resembling a soundtrack for a yet to be filmed low budget sci-fi movie. When Robot choirs start singing or broken analogue circuits and filters start doing what they want, it can get wacky, but we think it always remains pleasant to listen. Mostly analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects were used.
It is recommended to listen to each side of the album in one piece.
bleed Air lives in Cologne, runs this label, loves his Omnichord OM-27 and his tape echo too.
Many references and elements come to mind when trying to describe Ball Geographie’s music: From Chamber Pop to Disco. From Lo-fi to High-End. Found sound referencing the likes of Studio Braun. Fully conscious use of presets, but only when they make full sense. Beats. No improvisation, everything is always structured to the maximum. 80ies vibes, folky guitars, timelessness …. It is electronic, and acoustic.
Ball Geographie lives, works and produces his music in Cologne, Germany. He loves his Boss DR-550 and its HiQ sound. Kalimbas, musical toys and Dictaphones too.